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Helmuth Rilling
Bach Cantatas & Other Vocal Works
Discography - Part 2 |
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Remark about Editions of the Sacred Cantatas on Hänssler |
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This cycle was printed couple of times in LP form by various editions, including Claus Verlag (Germany), Erato (France)), and Musical Heritage Society (U.S.A). It was printed in CD form twice by Hänssler. Both Editions are showed, but the details are listed only for the 1st edition, assuming that they are indentical also with those of the 2nd edition. |
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Complete Cycle of Sacred Cantatas on Hänssler - 1st Edition on CD (Vols. 1-23) |
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C-4 |
Die Bach Kantate Vol. 4 (Cantatas BWV 51, 56, 82) |
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Cantatas BWV 51 [17:45], BWV 56 [20:40], BWV 82 [23:25] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart [BWV 56, 82], Württembergisches Kammerorchester Heilbronn [BWV 51] |
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BWV 51: Soprano: Arleen Augér
Hannes Läubin (Trumpet); Georg Egger (Violin); Radboud Ooemens (Violin); Stefan Trauez (Violoncello); Claus Zimmermann (Double-bass); Hans-Joachim Erhard (Harpsichord)
BWV 56, 82: Bass: Dietrich Fischer-Dieskau
BWV 56: Günther Passin (Oboe); Hedda Rothweiler (Oboe); Daisuke Mogi (Oboe da caccia); Kurt Etzold (Bassoon); Walter Forchert (Concert-master); Helmut Veihelmann (Violoncello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Harpsichord/Positive Organ)
BWV 82: Günther Passin (Oboe); Kurt Etzold (Bassoon); Walter Forchert (Concert-master); Helmut Veihelmann (Violoncello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Positive Organ) |
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Hänssler 98.855 |
BWV 51: Sep 1983
BWV 56, 82: Jul 1983 |
CD / TT: 62:02 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany. Recording: Tonstudio Teije van Geest, Heidelberg; Recording Director: Richard Hauck.
1st recording of Cantata BWV 51 by H. Rilling.
1st recording of Cantata BWV 56 by H. Rilling.
Buy this album at:
CD (1992): Amazon.com | Amazon.co.uk | Amazon.de |
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C-5 |
Die Bach Kantate Vol. 5 (Cantatas BWV 117, 145, 174) |
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Cantatas BWV 117 [21:45], BWV 145 [9:40], BWV 174 [22:15] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Württembergisches Kammerorchester Heilbronn |
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BWV 117: Alto: Mechthild Georg; Tenor: Adalbert Kraus; Bass: Andreas Schmidt
Sibylle Keller-Sanwald, Wiltrud Böckheler (Flutes); Fabian Menzel, Hedda Rothweiler (Oboes), Günther Passin, Hedda Rothweiler (Oboes d'amore); Christoph Carl, Klaus Thunemann (Bassoons); Georg Egger (Violin); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 145: Soprano: Costanza Cuccaro; Tenors: Adalbert Kraus; Basses: Andreas Schmid
Reinhold Friedrich (Trumpet); Sibylle Keller-Sanwald (Flute); Günther Passin, Hedda Rothweiler (Oboes d'amore); Kurt Etzold (Bassoon); Georg Egger (Violin); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 174: Altos: Julia Hamari; Tenor: Aldo Baldin; Bass: Wolfgang Schöne
Hannes Läubin, Wolfgang Läubin (Horns); Günther Passin, Hedda Rothweiler (Oboes); Dietmar Keller (Oboe da caccia); Christoph Carl (Bassoon); Georg Egger, Nicolay Marangozov, Radboud Oomens (Violins); Micha Rothenberger, Jutta Flitsch, Roman Zuber (Violas); Stefan Trauer, Elizabeth Ramsay, Barbara Haupt-Brauckmann (Violoncellos); Claus Zimmermann (Double-bass); Martha Schuster (Harpsichord); Hans-Joachim Erhard (Organ) |
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Hänssler 98.855 |
BWV 117: Feb 1984
BWV 145: Feb 1984
BWV 174: Feb, Jul 1984 |
CD / TT: 53:53 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 117: Recording: Tonstudio Teije van Geest, Heidelberg; Producer: Richard Hauck.
BWV 145: Recording: Tonstudio Teije van Geest, Heidelberg; Producer: Richard Hauck.
BWV 174: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Listen on YouTube:
Cantata BWV 174: Mvt. 1: Sinfonia [6:33]
Buy this album at:
CD-1 (1992): Amazon.com | Amazon.co.uk | Amazon.de
CD-1 (2000): Amazon.com | Amazon.co.uk | Amazon.de |
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C-6 |
Die Bach Kantate Vol. 6 (Cantatas BWV 50, 140, 29) |

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Cantatas BWV 50 [3:37], BWV 140 [24:15], BWV 29 [21:20] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Württembergisches Kammerorchester Heilbronn |
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BWV 50: Hannes Läubin, Bernhard Läubin, Wolfgang Läubin (Trumpets); Norbert Schmitt (Timpani); Fabian Menzel, Hedda Rothweiler (Oboes); Dietmar Keller (Oboe da caccia); Christoph Carl (Bassoon); Georg Egger (Concert-master); Stafan Trauer (Violncello); Claus Zimmermann (Double-bass); Hans-Joachim Erhard (Harpsichord)
BWV 140: Soprano: Arleen Augér; Tenor: Aldo Baldin; Bass: Philippe Huttenlocher
Hannes Läubin (Horn); Günther Passin, Hedda Rothweiler (Oboes); Daisuke Mogi (Oboe da caccia); Christoph Carl (Bassoon); Georg Egger (Violin); Stafan Trauer (Violncello); Claus Zimmermann (Double-bass); Martha Schuster (Harpsichord); Hans-Joachim Erhard (Organ)
BWV 29:Soprano: Ulrike Sonntag; Alto: Elisabeth Graf; Tenor: Aldo Baldin; Bass: Philippe Huttenlocher
Hannes Läubin, Wolfgang Läubin, Hans Läubin, (Trumpets); Norbert Schmitt (Timpani); Günther Passin, Hedda Rothweiler (Oboes); Christoph Carl (Bassoon); Georg Egger (Violin); Stafan Trauer (Violncello); Claus Zimmermann (Double-bass); Martha Schuster (Harpsichord); Hans-Joachim Erhard (Organ) |
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Hänssler 98.857 |
BWV 50: Feb 1984
BWV 140: Sep 1983; Feb 1984
BWV 29: Feb 1984 |
CD / TT: 49:23 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 50: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 140: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 29: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
1st recording of Cantata BWV 140 by H. Rilling.
Listen on YouTube:
Cantata BWV 50: Complete Cantata [3:45]
Buy this album at:
CD-1 (1992): Amazon.com | Amazon.co.uk | Amazon.de |
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C-7 |
Die Bach Kantate Vol. 7 (BWV 11, 100, 200) |
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Cantatas BWV 11 [26:10], BWV 100 [22:10], BWV 200 [3:05] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Württembergisches Kammerorchester Heilbronn |
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BWV 11: Soprano: Costanza Cuccaro; Alto: Mechthild Georg; Tenor: Adalbert Kraus; Bass: Andreas Schmidt
Bernhard Schmid, Claude Rippas, Paul Rabber (Trumpets); Norbert Schmitt (Timpani); Sibylle Keller-Sanwald, Barbara Schlenker, Wiltrud Böckheler (Flutes); Günther Passin, Hedda Rothweiler (Oboe, Oboe d'amore); Kurt Etzold (Bassoon); Georg Egger (Concert-master); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Martha Schuster (Harpsichord); Hans-Joachim Erhard (Positive Organ)
BWV 100: Soprano: Arleen Augér; Alto: Julia Hamari; Tenor: Adalbert Kraus; Bass: Philippe Huttenlocher
Johannes Ritzkowsky, Bruno Schneider (Horns); Norbert Schmitt (Timpani); Peter-Lukas Graf, Sibylle Keller-Sanwald (Flutes); Diethelm Jonas, Günther Passin (Oboes d'amore); Günther Pfitzenmaier (Bassoon); Georg Egger (Violin); Martin Ostertag (Violoncello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Positive Organ)
BWV 200: Altos: Mechthild Georg
Georg Egger, Radboud Oomens (Violins); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Hans-Joachim Erhard (Positive Organ) |
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Hänssler 98.858 |
BWV 11: Feb 1984
BWV 100: Oct 1983; Mar 1984
BWV 200: Feb 1984 |
CD / TT: 51:49 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 11: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 100: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 200: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-8 |
Die Bach Kantate Vol. 8 (Cantatas BWV 14, 9, 195) |

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Cantatas BWV 14 [15:10], BWV 9 [20:30], BWV 195 [19:25] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Württembergisches Kammerorchester Heilbronn |
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BWV 14: Soprano: Krisztina Láki; Tenor: Aldo Baldin; Bass: Philippe Huttenlocher
Marie-Louise Neunecker (Horn); Günther Passin (Oboe); Hedda Rothweiler (Oboe); Christoph Carl (Bassoon); Georg Egger (Concert-master); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Martha Schuster (Harpsichord); Hans-Joachim Erhard (Positive Organ)
BWV 9: Soprano: Ulrike Sonntag; Alto: Gabriele Schreckenbach; Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Sibylle Keller-Sanwald (Flute); Günther Passin (Oboe); Christoph Carl (Bassoon); Georg Egger (Violin); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Martha Schuster (Harpsichord); Hans-Joachim Erhard (Positive Organ)
BWV 195: Soprano: Shihomi Inoue-Heller; Alto: Elisabeth Graf; Tenor:Oly Pfaff; Bass: Andreas Schmidt
Johannes Ritzkowsky, Bruno Schneider (Horns); Bernhard Schmid, Josef Hausberger, Roland Gurkhardt (Trumpets); Peter Wirweitzki (Timpani); Sibylle Keller-Sanwald, Peter Schlenker, Wiltrud Böckheler (Flutes); Günther Passin, Hedda Rothweiler (Oboes/Oboes d'amore); Kurt Etzold (Bassoon); Georg Egger (Concert-master); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Hans-Joachim Erhard (Harpsichord/Positive Organ) |
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Hänssler 98.859 |
BWV 14: Feb 1984
BWV 9: Feb 1984
BWV 195: Feb 1984 |
CD / TT: 55:23 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 14: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
2nd recording of Cantata BWV 14 by H. Rilling.
BWV 9: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 195: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Listen on YouTube:
Cantata BWV 9: Complete Cantata [HD: 20:42]
Buy this album at:
CD (1993): Amazon.com | Amazon.co.uk | Amazon.de |
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C-9 |
Die Bach Kantate Vol. 9 (Cantatas BWV 112, 30) |

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Cantatas BWV 112 [14:00], BWV 30 [35:30] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart, Württembergisches Kammerorchester Heilbronn |
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BWV 112: Soprano: Inga Nielsen; Alto: Gabriele Schreckenbach; Tenor: Aldo Baldin; Bass: Walter Heldwein
Johannes Ritkowsky, Friedhelm Pütz (Horns); Diethelm Jonas, Günther Passin [Mvt. 2], Hedda Rothweiler (Oboes d'amore); Kurt Etzold (Bassoon); Walter Forchert (Concert-master); Jakoba Hanke (Violoncello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Positive Organ)
BWV 30: Soprano: Costanza Cuccaro; Alto: Mechthild Georg; Tenor: Aldo Baldin; Bass: Walter Heldwein
Sibylle Keller-Sanwald, Wiltrud Böckheler, Peter-Lukas Graf (Flutes); Günther Passin, Hedda Rothweiler (Oboes, Oboe d'amores); Kurt Etzold (Bassoon); Georg Egger (Violin); Stefan Trauer (Violoncello); Klauz Zimmermann (Double-bass); Martha Schuster (Harpsichord); Joachim Eichhorn (Harpsichord, Positive Organ) |
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Hänssler 98.860 |
BWV 112: Dec 1980; Feb 1981
BWV 30: Feb 1984 |
CD / TT: 49:30 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 112: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 30: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-10 |
Die Bach Kantate Vol. 10 (Cantatas BWV 137, 129, 78) |

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Cantatas BWV 137 [14:53], BWV 129 [18:36], BWV 78 [21:09] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 137: Soprano: Arleen Augér; Alto: Gabriele Schreckenbach; Tenor: Adalbert Kraus; Bass: Walter Heldwein
Hans Wolf, Karl-Heinz Halder, Uwe Zaiser (Trumpets); Hans-Joachim Schacht (Timpani); Diethelm Jonas, Günther Passin, Hedda Rothweiler (Oboes); Kurt Etzold (Bassoon); Walter Forchert (Concert-master); Martin Ostertag (Continuo Cello); Thomas Lom, Harro Bertz (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 129: Soprano: Arleen Augér; Alto: Gabriele Schreckenbach; Bass: Philippe Huttenlocher
Hannes Läubin, Wolfgang Läubin, Bernhard Läubin (Trumpets); Norbert Schmitt (Timpani); Renate Greiss (Flute); Günther Passin (Oboe, Oboe d'amore); Joachim Rau (Oboe); Günther Pfizenmaier (Bassoon); Otto Armin (Violin); Helmut Veihelmann, Ansgar Schneiderr (Continuo Cello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Positive Organ)
BWV 78: Soprano: Arleen Augér; Alto: Carolyn Watkinson; Tenor: Aldo Baldin; Bass: Wolfgang Schöne
Hans Wolf (Horn); Andreas Adorján (Flute); Klaus Kärcher, Hedda Rothweiler (Oboes); Kurt Etzold (Bassoon); Martin Ostertag (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.861 |
BWV 137: Dec 1980; Mar 1981; Mar 1982
BWV 129: Feb, Oct 1982
BWV 78: Feb, Oct 1979 |
CD / TT: 54:59 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 137: Recording: Tonstudio Teije van Geest, Heidelberg; Studio Management: Richard Hauck.
BWV 129: Recording: Tonstudio Teije van Geest, Heidelberg; Studio Management: Richard Hauck.
BWV 78: Recording: Tonstudio Teije van Geest, Heidelberg; Studio Management: Richard Hauck.
Buy this album at:
CD-1 (1992): Amazon.com | Amazon.co.uk | Amazon.de |
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C-11 |
Die Bach Kantate Vol. 11: Osteroratorium (BWV 249, 6) |

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Oster-Oratorium BWV 249 [40:53]; Cantata BWV 6 [19:06] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 249: Soprano: Arleen Augér; Alto: Julia Hamari; Tenor: Adalbert Kraus; Basses: Philippe Huttenlocher
Bernhard Schmid, Josef Hausberger, Roland Burckhardt (Trumpets); Hans-Joachim Schacht (Timpani); Hartmut Strebel, Barbara Schlenker (Recorders); Peter-Lukas Graf (Flute); Günther Passin, Hedda Rothweiler (Oboes); Ingo Goritzki (Oboe d'amore); Christoph Carl, Kurt Etzold (Bassoons); Walter Forchert (Violin); Jakoba Hanke, Martin Ostertag (Continuo Cellos); Thomas Lom, Herro Bertz (Double-basses); Hans-Joachim Erhard (Harpsichord)
BWV 6: Soprano: Edith Wiens; Alto: Carolyn Watkinson; Tenor: Adalbert Kraus; Bass: Walter Heldwein
Ingo Goritzki, Hedda Rothweiler (Oboes); Dietmar Keller (Oboe da caccia); Kurt Etzold (Bassoon); Walter Forchert (Violin); Alfred Lessing (Violoncello piccolo); Gerhard Mantel (Continuo Cello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.862 |
BWV 249: Dec 1980; Mar, May 1981
BWV 6: Dec 1980 |
CD / TT: 60:09 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 249: Recording: Tonstudio Teije van Geest, Heidelberg; Studio Management: Richard Hauck.
BWV 6: Re: Tonstudio Teije van Geest, Heidelberg; Studio Management: Richard Hauck.
Listen on YouTube:
Cantata BWV 6: Complete Cantata [19:22] | Complete Cantata [19:07] | Complete Cantata [19:06]
Cantata BWV 6: Mvt. 1: Chorus [5:41] + Mvt. 2: Aria [A] [4:11] + Mvt. 3: Chorale [S] [4:30]
Buy this album at:
CD-1 (1997): Amazon.com | Amazon.co.uk | Amazon.de |
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C-12 |
Die Bach Kantate Vol. 12 (Cantatas BWV 147, 71, 192) |
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Cantatas BWV 147 [31:24], BWV 71 [17:54], BWV 192 [14:48] |
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Helmuth Rilling |
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Frankfurter Kantorei [BWV 147, 192], Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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Sopranos: Arleen Augér, Kathrin Graf, Helen Donath; Altos: Helen Watts, Helrun Gardow, Hanna Schwarz, Gabriele Schreckenbach; Tenors: Kurt Equiluz, Alexander Senger, Adalbert Kraus, Lutz-Michael Harder; Basses: Wolfgang Schöne, Niklaus Tüller, Philippe Huttenlocher
BWV 147: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Kurt Equiluz; Bass: Wolfgang Schöne
Bernhard Schmid, Hermann Sauter (Trumpets); Hansjörg Schellenberger (Oboe, Oboe da caccia); Dietmar Keller (Oboe d'amore, Oboe da caccia); Günther Pfitzenmaier (Bassoon); Wilhelm Melcher (Violin); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord); Montserrat Torrent (Positive Organ)
BWV 192: Soprano: Helen Donath; Bass: Niklaus Tüller
Martin Wendel, Sibylle Keller-Sanwald (Flutes); Günther Passin, Thomas Schwarz (Oboes); Klaus Thunemann, Hermann Herder (Bassoons); Jürgen Wolf (Continuo Cello); Thomas Lom (Double-bass); Martha Schuster (Harpsichord, Positive Organ) |
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Hänssler 98.863 |
1974-1982
BWV 147: Sep 1976; Jan, June 1977
BWV 192: Jan-Feb 1974 |
CD / TT: 64:26 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 147: Recording: Südwest-Tonstudio, Stuttgart; Studio Management: Richard Hauck; Sound Engineer: Henno Quasthoff.
BWV 192: Recording: Südwest-Tonstudio, Stuttgart; Studio Management: Richard Hauck, Friedrich Mauermann.
Listen on YouTube:
Cantata BWV 147: Complete Cantata [31:27]
Buy this album at:
CD-1 (1997): Amazon.com | Amazon.co.uk | Amazon.de
CD-1: Amazon.com | Amazon.co.uk | Amazon.de |
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C-13 |
Die Bach Kantate Vol. 13 (Cantatas BWV 4, 172, 85) |

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Cantatas BWV 4 [19:54], BWV 172 [16:40], BWV 85 [18:51] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart [BWV 4, 85], Frankfurter Kantorei [BWV 172] / Bach-Collegium Stuttgart |
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BWV 4: Soprano: Edith Wiens; Alto: Carolyn Watkinson; Tenor: Peter Schreier; Bass: Wolfgang Schöne
Kurt Etzold (Bassoon); Walter Forchert (Violin); Gerhard Mantel (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Positive Organ)
BWV 172: Soprano: Eva Csapó; Alto: Doris Soffel; Tenor: Adalbert Kraus; Basses: Wolfgang Schöne
Hermann Sauter, Eugen Mayer, Heiner Schatz (Trumpets); Karl-Heinz Peinecke (Timpani); Hermann Herder (Bassoon); Jürgen Wolf (Continuo Cello); Thomas Lom (Double-bass); Martha Schuster (Harpsichord, Organ); Joachim Eichhorn (Positive Organ)
BWV 85: Soprano: Arleen Augér; Alto: Gabriele Schreckenbach, Tenor: Adalbert Kraus; Bass: Walter Heldwein
Günther Passin, Hedda Rothweiler (Oboes); Klaus Thunemann (Bassoon); Martin Ostertag (Violoncello piccolo, Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ); Fritz Walther (Positive Organ) |
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Hänssler 98.864 |
BWV 4: Dec 1980
BWV 172: Mar-Apr 1975
BWV 85: Aug, Dec 1980; Apr 1981 |
CD / TT: 55:47 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany [BWV 4, 172] & Große Aula der Alten Universität Salzburg, Austria [BWV 85].
BWV 4: Recording: Tonstudio Teije van Geest, Heidelberg; Studio Management: Richard Hauck, Heinz Jansen; Sound Engineer: Henno Quasthoff.
BWV 172: Recording: Südwest-Tonstudio, Stuttgart; Studio Management: Richard Hauck, Heinz Jansen; Sound Engineer: Henno Quasthoff.
BWV 85: Recording: Tonstudio Teije van Geest, Heidelberg; Studio Management: Richard Hauck.
1st recording of Cantata BWV 4 by H. Rilling.
Listen on YouTube:
Cantata BWV 4: Complete Cantata [HD: 20:09] | Complete Cantata [19:55]
Cantata BWV 4: Mvt. 3: Duet [S, A] [3:22]
Buy this album at:
CD-1 (1997): Amazon.com | Amazon.co.uk | Amazon.de |
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C-14 |
Die Bach Kantate Vol. 14 (Cantatas BWV 21, 93) |

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Cantatas BWV 21 [44:25], BWV 93 [19:50] |
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Helmuth Rilling |
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Indiana University Chamber Singers [BWV 21/2,6,9,11], Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 21: Sopranos: Arleen Augér [BWV 21/3,7,8], Nancy Amini [BWV 21/6,9,11]; Alto: Karen Hagerman [BWV 21/6,9,11]; Tenors: Adalbert Kraus [BWV 21/4,5,10], Douglas Robinson [BWV 21/6,11]; Basses: Wolfgang Schöne [BWV 21/7,8], Norman Andersson [BWV 21/6,9,11]
Hermann Sauter, Eugen Mayer, Heiner Schatz (Trumpets); Karl Schad (Timpani); Günther Passin (Oboe); Günther Pfitzenmaier (Bassoon); Albert Boesen (Violin); Friedemann Schulz (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord); Thomas Jaber (Positive Organ)
BWV 93: Soprano: Arleen Augér; Alto: Ann Murray; Tenor: Adalbert Kraus; Bass: Walter Heldwein
Günther Passin (Oboe); Hedda Rothweiler (Oboe); Klaus Thunemann (Bassoon); Reiner Ginzel (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ); Fritz Walther (Positive Organ) |
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Hänssler 98.865 |
BWV 21: Mar, May 1976
BWV 93: Feb 1979 |
CD / TT: 64:30 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 21: Recording: Südwest-Tonstudio, Stuttgart; Recording Supervision: Richard Hauck.
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-15 |
Die Bach Kantate Vol. 15 (Cantatas BWV 70, 131, 79) |

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Cantatas BWV 70 [25:20], BWV 131 [23:40], BWV 79 [15:30] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 70: Soprano: Arleen Augér; Alto: Verena Gohl; Tenor: Lutz-Michael Harder; Bass: Siegmund Nimsgern
Hermann Sauter (Trumpet); Otto Winter (Oboe); Günther Passin (Oboe) [BWV 70/8]; Hans Mantels (Bassoon); Werner Keltsch (Concert-master); Walter Forchert (Concert-master) [BWV 70/5,8]; Peter Simek (Continuo Cello); Ansgar Schneider (Continuo Cello) [BWV 70/4-6,8]; Ulrich Lau (Double-bass); Harro Bertz (Double-bass) [BWV 70/4-6,8]; Martha Schuster (Harpsichord, Positive Organ); Hans-Joachim Erhard, (Harpsichord, Positive Organ) [BWV 70/4-6,8]
BWV 131: Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Günther Passin (Oboe); Hermann Herder (Bassoon); Jürgen Wolf (Continuo Cello); Manfred Gräser (Double-bass); Joachim Eichhorn (Positive Organ)
BWV 79: Soprano: Arleen Augér; Alto: Julia Hamari; Bass: Philippe Huttenlocher
Johannes Ritzkowsky, Friedhelm Pütz (Horns); Norbert Schmitt (Timpani); Peter-Lukas Graf, Sibylle Keller-Sanwald (Flutes); Diethelm Jonas, Hedda Rothweiler (Oboes); Kurt Etzold (Bassoon); Walter Forchert (Concert-master); Helmut Veihelmann (Continuo Cello); Thomas Lorn (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.865 |
BWV 70: 1970; Feb [Mvts. 5, 8], Oct [Mvt. 6], Dec [Mvt. 4], 1982
BWV 131: Jan 1975
BWV 79: Oct-Nov 1981 |
CD / TT: 63:58 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 70: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
BWV 131: Recording: Südwest-Tonstudio, Stuttgart; Recording Supervision: Heinz Jansen.
BWV 79: Recording: Tonstudio Teije van Geest, Heidelberg; Studio Management: Richard Hauck.
1st recording of Cantata BWV 79 by H. Rilling.
Listen on YouTube:
Cantata BWV 70: Complete Cantata [24:48] | Complete Cantata [LP CLV: 25:56]
Cantata BWV 131: Complete Cantata [23:21]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-16 |
Die Bach Kantate Vol. 16 (Cantatas BWV 61, 191, 1) |

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Cantatas BWV 61 [19:05], BWV 191 [16:35], BWV 1 [22:55] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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Sopranos: Helen Donath, Nobuko Gamo-Yamamoto, Inga Nielsen; Tenor: Adalbert Kraus; Basses: Wolfgang Schöne, Philippe Huttenlocher
BWV 61: Soprano: Helen Donath; Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Hermann Herder (Bassoon); Jürgen Wolf (Continuo Cello); Lom (Double-bass); Martha Schuster (Harpsichord, Positive Organ)
BWV 1: Soprano: Helen Donath; Tenor: Adalbert Kraus; Bass: Philippe Huttenlocher
Johannes Ritkowsky, Friedhelm Pütz (Horns); Dietmar Keller, Hedda Rothweiler (Oboes da caccia); Kurt Etzold (Bassoon); Wolfgang Rösch, Walter Forchert (Violins); Gerhard Mantel (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.867 |
1974, 1971, 1980
BWV 61: Jan-Feb 1974
BWV 1: Feb, Apr 1980 |
CD / TT: 58:10 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 61: Recording: Südwest Tonstudio, Stuttgart; Recording Supervision: Richard Hauck.
BWV 1: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Listen on YouTube:
Cantata BWV 1: Complete Cantata [HD: 23:13] | Complete Cantata [HD: 23:00] | Complete Cantata [23:03] | Complete Cantata [HD: 23:14] | Complete Cantata: Mvt. 1: Chorus [7:41] + Mvt. 2: Recitative [T] [1:15] + Mvt. 3: Aria [S] [4:46] + Mvt. 4: Recitative [B] [1:06] + Mvt. 5: Aria [T] [6:56] + Mvt. 6: Chorale [1:40]
Buy this album at:
CD-1 (1997): Amazon.com | Amazon.co.uk | Amazon.de |
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C-17 |
Die Bach Kantate Vol. 17 (Cantatas BWV 10, 130, 17) |
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Cantatas BWV 10 [21:30], BWV 130 [16:15], BWV 17 [19:00] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart, [BWV 10, 17], Figuralchor der Gedächtniskirche Stuttgart [BWV 130] / Bach-Collegium Stuttgart |
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BWV 10: Soprano: Arleen Augér; Altos: Margit Neubauer; Tenors: Aldo Baldin; Basses: Wolfgang Schöne
Hans Wolf (Trumpet); Allan Vogel (Oboe); Hedda Rothweiler (Oboe); Kurt Etzold (Bassoon); Klaus-Peter Hahn (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord/Positive Organ)
BWV 130: Soprano: Kathrin Graf; Alto: Gabriele Schnaut; Tenor: Adalbert Kraus; Basses: Wolfgang Schöne
Hermann Sauter, Eugen Mayer, Heiner Schatz (Trumpets); Hans Joachim Schmukalla (Timpani); Peter-Lukas Graf (Flute); Günther Passin, Thomas Schwarz, Hedda Rothweiler (Oboes); Hermann Herder (Bassoon); Jürgen Wolf (Continuo Cello); Thomas Lom (Double-bass); Manfred Graser, (Double-bass); Martha Schuster, (Harpsichord , Positive Organ)
BWV 17: Soprano: Arleen Augér; Alto: Gabriele Schreckenbach; Tenor: Adalbert Kraus; Bass: Walter Heldwein
Günther Passin, Hedda Rothweiler (Oboes); Paul Gerhard Leihenseder (Bassoon); Walter Forchert, Hubert Buchberger (Violins); Helmut Vethelmann (Continuo Cello); Harro Bertz (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.868 |
BWV 10: Feb 1979
BWV 130: Jan-Feb 1974
BWV 17: Feb, Oct 1982 |
CD / TT: 56:45 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 10: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Director: Richard Hauck.
BWV 130: Recording: Südwest Tonstudio, Stuttgart; Recording Supervision: Friedrich Mauermann.
BWV 17: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Listen on YouTube:
Cantata BWV 10: Complete Cantata [HD, 21:59]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-18 |
Die Bach Kantate Vol. 18 (Cantatas BWV 19, 76, 104) |

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Cantatas BWV 19 [20:30], BWV 76 [32:00], BWV 104 [16:40] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 19: Soprano: Barbara Rondelli; Tenor: Adalbert Kraus; Basses: Siegmund Nimsgern
Hermann Sauter, Eugen Mayer, Heiner Schatz (Trumpets); Karl-Heinz Peinecke (Timpani); Otto Winter (Oboe, Oboe d'amore); Hanspeter Weber (Oboe, Oboe d’amore, Oboe da caccia); Hans Mantels (Bassoon); Hannelore Michel (Continuo Cello); Manfred Graser (Double-bass); Martha Schuster (Harpsichord, Positive Organ)
BWV 76: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Adalbert Kraus; Bass: Siegmund Nimsgern
Rob Roy McGregor, Hans Wolf (Trumpets); Allan Vogel, Hedda Rothweiler (Oboes); Günther Passin (Oboe d'amore); Kurt Etzold (Bassoon); Walter Forchert (Violin); Reinhard Tüting (Viola da gamba); Jürgen Wolf (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 104: Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Allan Vogel (Oboe); Günther Passin (Oboe d'amore); Hedda Rothweiler (Oboe, Oboe d'amore); Dietmar Keller (Oboe da caccia), Kurt Etzold (Bassoon); Klaus-Peter Hahn (Continuo Cello); Peter Nitsche (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.869 |
BWV 19: Feb, May 1971
BWV 76: Sep, Dec 1977; Jan 1978
BWV 104: Sep, Feb 1979 |
CD / TT: 70:10 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 19: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck/Wolfram Wehnert.
BW76: Recording: Südwest Tonstudio, Stuttgart; Recording Supervision: Richard Hauck.
BWV 104: Recording: Tonstudio Teije van Geest, Heidelberg; Producer: Richard Hauck; Sound Engeineer: Günter Appenheimer.
Buy this album at:
CD-1 (1992): Amazon.com | Amazon.co.uk | Amazon.de |
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C-19 |
Die Bach Kantate Vol. 19 (Cantatas BWV 143, 190, 41) |

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Cantatas BWV 143 [13:02], BWV 190, reconstructed by Olivier Alain (Mvts. 1-2) [17:57], BWV 41 [19:14] |
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Helmuth Rilling |
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Frankfurter Kantorei [BWV 143], Gächinger Kantorei Stuttgart [BWV 41, 190] / Bach-Collegium Stuttgart |
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BWV 143: Soprano: Eva Csapó; Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Hermann Sauter, Eugen Mayer, Heiner Schatz (Horns); Hans Joachim Schmukalla (Timpani); Hermann Herder (Bassoon); Walter Forchert (Violin); Jürgen Wolf (Continuo Cello); Manfred Graser, (Double-bass); Martha Schuster, (Harpsichord); Joachim Eichhorn (Positive Organ)
BWV 190: Alto: Helen Watts; Tenors: Kurt Equiluz; Bass: Niklaus Tüller
Hans Wolf, Walter Schetsche, Rainer Kuch (Trumpets); Karl Schad (Timpani); Allan Vogel, Hedda Rothweiler, Dietmar Keller (Oboes), Günther Passin (Oboe d'amore); Paul Gerhard Leihenseder (Bassoon); Hans Häublein (Continuo Cello); Manfred Gräser (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 41: Soprano: Helen Donath; Alto: Marga Höffgen; Tenor: Adalbert Kraus; Bass: Siegmund Nimsgern
Hermann Sauter, Eugen Mayer, Heiner Schatz (Trumpets); Karl Schad (Timpani); Günther Passin, Otto Winter, Hanspeter Webber, Hedda Rothweiler (Oboes); Kurt Etzold (Bassoon); Jürgen Wolf (Violoncello Piccolo, Continuo Cello); Dieter Brachmann (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ) |
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Hänssler 98.870 |
BWV 143: Jan, Apr 1975
BWV 41: Mar-Apr 1973
BWV 190: Dec 1977; Jan 1978 |
CD / TT: 60:33 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 143: Recording: Südwest-Tonstudio, Stuttgart; Recording Supervision: Heinz Jansen.
BWV 190: Recording: Südwest Tonstudio, Stuttgart; Recording Supervision: Richard Hauck.
BWV 41: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
Buy this album at:
CD-1 (1992):
COM, -, -: B000YAN8MI
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-20 |
Die Bach Kantate Vol. 20 (Cantatas BWV 16, 171, 153, 58) |

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Cantatas BWV 16 [17:30], BWV 171 [15:30], BWV 153 [15:11], BWV 58 [14:48] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart, Württembergisches Kammerorchester Heilbronn |
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BWV 16: Alto: Gabriele Schreckenbach; Tenor: Peter Schreier; Bass: Philippe Huttenlocher
Johannes Ritzkowsky (Horn); Diethelm Jonas, Hedda Rothweiler (Oboes); Kurt Etzold (Bassoon); Walter Forchert (Concert-master); Adelheid Böckheler (Viola); Helmut Veihelmann (Continuo Cello); Martin Ostertag (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 171: Soprano: Arleen Augér; Alto: Julia Hamari; Tenor: Aldo Baldin; Bass: Walter Heldwein
Peter Send, Joseph Rauseberger, Paul Raber (Trumpets); Norbert Schmitt (Timpani); Günther Passin, Hedda Rothweiler (Oboes); Günther Pfitzenmaier (Bassoon); Georg Egger, Radboud Oomens (Violins); Stefan Trauer (Violoncello); Claus Zimmermann (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ); Hildegard Weinmann (Harpsichord, Positive Organ)
BWV 153: Alto: Ann Murray; Tenor: Adalbert Kraus; Bass: Walter Heldwein
Klaus-Peter Hahn (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 58: Soprano: Ingeborg Reichelt; Bass: Wolfgang Schöne
Werner Weltsch (Violin); Hannerlore Michel (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ) |
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Hänssler 98.871 |
BWV 16: Mar, Oct 1981
BWV 171: Jun, Sep 1983
BWV 153: Sep 1978
BWV 58: Feb 1971 |
CD / TT: 62:19 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 16: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
BWV 171: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 153: Recording: Tonstudio Teije van Geest; Recording Supervision: Richard Hauck.
Listen on YouTube:
Cantata BWV 16: Complete Cantata [17:51] | Complete Cantata [30:27]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-21 |
Die Bach Kantate Vol. 21 (Cantatas BWV 65, 123, 154, 124) |

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Cantatas BWV 65 [16:03], BWV 123 [19:51], BWV 154 [15:49], BWV 124 [14:09] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 65: Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Johannes Ritzkowsky, Friedhelm Pütz (Horns); Hartmut Strebel, Barbara Schlenker (Recorders); Dietmar Keller, Hedda Rothweiler (Oboes da caccia); Kurt Etzold (Bassoon); Klaus-Peter Hahn (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord/Positive Organ)
BWV 123: Alto: Helen Watts; Tenor: Adalbert Kraus; Bass: Philippe Huttenlocher
Peter-Lukas Graf, Sibylle Keller-Sanwald (Flutes); Klaus Kärcher, Hedda Rothweiler (Oboes d'amore); Kurt Etzold (Bassoon); Hans Häublein (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 154: Alto: Ann Murray; Tenor: Aldo Baldin; Bass: Walter Heldwein
Allan Vogel (Oboe); Günther Passin (Oboes d'amore), Hedda Rothweiler (Oboe, Oboes d'amore); Kurt Etzold (Bassoon); Klaus-Peter Hahn (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 124: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Aldo Baldin; Bass: Wolfgang Schöne
Bernhard Schmid (Horn); Simon Dent (Oboe d'amore); Kurt Etzold (Bassoon); Jakoba Hanke (Continuo Cello); Albert Locher (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.872 |
BWV 65: Sep 1978; Feb 1979
BWV 123: Feb, Apr 1980
BWV 154: Sep 1978
BWV 124: Feb, Apr 1980 |
CD / TT: 65:12 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 65: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Producer: Richard Hauck.
BWV 123: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Producer: Richard Hauck.
BWV 154: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Producer: Richard Hauck.
BWV 124: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Producer: Richard Hauck.
Listen on YouTube:
Cantata BWV 65: Complete Cantata [16:05]
Cantata BWV 123: Complete Cantata [19:56]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-22 |
Die Bach Kantate Vol. 22 (Cantatas BWV 32, 155, 3) |
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Cantatas BWV 32 [22:53], BWV 155 [13:02], BWV 3 [24:48] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart / Bach-Collegium Stuttgart |
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BWV 32: Soprano: Arleen Augér; Bass: Walter Heldwein
Fumiaki Miyamoto (Oboe); Kurt Etzold (Bassoon); Walter Forchert (Concert-master); Martin Ostertag (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 3: Soprano: Arleen Augér; Alto: Gabriele Schreckenbach; Tenor: Lutz-Michael Harder; Bass: Philippe Huttenlocher
Bernhard Schmid (Horn); Gerhard Cichos (Trombone); Klaus Kärcher, Hedda Rothweiler (Oboes d'amore); Kurt Etzold (Bassoon); Jakoba Hanke (Continuo Cello); Thomas Lom (Double-bass); Bärbel Schmid (Positive Organ); Hans-Joachim Erhard (Harpsichord)
BWV 155: Soprano: Ingeborg Reichelt; Alto: Norma Lerer; Tenor: Friedrich Melzer; Bass: Hanns-Friedrich Kunz
Hans Mantels (Bassoon); Hannerlore Michel (Continuo Cello); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord, Positive Organ) |
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Hänssler 98.873 |
BWV 32: Nov 1981
BWV 155: Feb 1971
BWV 3: Feb, Apr 1980 |
CD / TT: 60:43 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 32: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
BWV 155: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
BWV 3: Recording: Tonstudio Teije van Geest, Heidelberg; Recording Supervision: Richard Hauck.
Listen on YouTube:
Cantata BWV 32: Mvt. 1: Aria [S] [6:21] | Mvt. 1: Aria [S] [6:16]
Cantata BWV 3: Complete Cantata [HD: 24:56] | Complete Cantata [HD: 24:48] | Complete Cantata [HD: 23:51] | Complete Cantata [HD: 24:56]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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C-23 |
Die Bach Kantate Vol. 23 (Cantatas BWV 13, 73, 111) |

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Cantatas BWV 13 [19:49], BWV 73 [16:27], BWV 111 [19:58] |
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Helmuth Rilling |
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Gächinger Kantorei Stuttgart [BWV 13, 111], Figuralchor der Gedächtniskirche Stuttgart [BWV 73] / Bach-Collegium Stuttgart |
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BWV 13: Soprano: Arleen Augér; Alto: Carolyn Watkinson; Tenor: Adalbert Kraus; Bass: Walter Heldwein
Hartmut Strebel, Barbara Schlenker (Recorders); Helmut Koch, Dietmar Keller (Oboes da caccia); Christoph Carl (Bassoon); Walter Forchert (Concert-master); Barbara Haupt-Brauckmann (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ)
BWV 73: Soprano: Magdalene Schreiber; Tenor: Adalbert Kraus; Bass: Wolfgang Schöne
Johannes Ritkowsky (Horn); Otto Winter, Thomas Schwarz (Oboes);
Jürgen Wolf (ContinuoCello); Hans Mantels (Bassoon); Manfred Gräser (Double-bass); Martha Schuster (Harpsichord); Hans-Joachim Erhard (Positive Organ)
BWV 111: Soprano: Arleen Augér; Alto: Helen Watts; Tenor: Lutz-Michael Harder; Bass: Philippe Huttenlocher
Klaus Kärcher, Hedda Rothweiler (Oboes); Kurt Etzold (Bassoon); Walter Forchert (Violin); Hans Häublein (Continuo Cello); Thomas Lom (Double-bass); Hans-Joachim Erhard (Harpsichord, Positive Organ) |
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Hänssler 98.874 |
BWV 13: Mar, Nov 1981
BWV 73: Feb 1971; Oct 1982 (Mvt. 5)
BWV 111: Feb, Apr, Dec 1980 |
CD / TT: 56:14 |
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Recorded at Gedächtniskirche Stuttgart, Baden-Württemberg, Germany.
BWV 13: Recording: Tonstudio Teije van Geest, Heidelberg; Producer: Richard Hauck.
BWV 73: Recording: Sonopress Tontechnik, Gütersloh; Recording Supervision: Richard Hauck, Wolfram Wehnert.
BWV 111: Recording: Tonstudio Teije van Geest, Heidelberg; Producer: Richard Hauck.
Listen on YouTube:
Cantata BWV 13: Complete Cantata [20:08] | Complete Cantata [26:26]
Cantata BWV 73: Complete Cantata [16:37]
Buy this album at:
CD-1 (1996): Amazon.com | Amazon.co.uk | Amazon.de |
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The list of recordings was compiled by Aryeh Oron (November 2000 - November 2025) |
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