|
Recordings & Discussions of Other Vocal Works:
Main Page
| Motets BWV 225-231
| Mass in B minor BWV 232
| Missae Breves & Sanctus BWV 233-242
| Magnificat BWV 243
| Matthäus-Passion BWV 244
| Johannes-Passion BWV 245
| Lukas-Passion BWV 246
| Markus-Passion BWV 247
| Weihnachts-Oratorium BWV 248
| Oster-Oratorium BWV 249
| Chorales BWV 250-438
| Geistliche Lieder BWV 439-507
| AMN BWV 508-523
| Quodlibet BWV 524
| Aria BWV 1127
| Motet BWV 1165=Anh 159
|
3 |
J.S. Bach: St. Matthew Passion [V-1] |
|
Matthäus-Passion BWV 244, sung in English [Part I: 00:00; Part II: 52:37] |
Erich Leinsdorf |
Choirs of Rutgers University, the New Jersey College for Women, and a choir of girls from Rochester public schools / Rochester Philharmonic Orchestra |
Tenor [Evangelist]: Rudolf Petrak; Bass-Baritone [Jesus]: James Pease; Soprano: Ann Ayars; Contralto: Margaret Harshaw; Bass: Norman Farrow |
Rochester: Musical Definitions |
Apr 1950 |
MC / TT: 106:40 |
A radio broadcast from 1950. Part I was broadcast from the Eastman Theatre in Rochester, New York; Part II broadcast from Rutgers University the following week.
Listen on YouTube:
Matthäus-Passion BWV 244: Complete Work [106:40] |
10 |
J.S. Bach: St Matthew Passion |
|
Matthäus-Passion BWV 244 - sung in English. Omits 10, 23, 41, 50, 51, 55, 61, 70, 75, 76; abridges 12 |
Sir Ernest MacMillan |
Bloor Street United Church Choir, Toronto & Toronto Mendelssohn Choir / Toronto Symphony Orchestra |
Tenor [Evangelist]: Edward Johnson; Bass [Jesus]: James Milligan; Soprano [Arias]: Lois Marshall; Soprano: Mary Morrison; Soprano: Jean Newton; Contralto: Margaret Stilwell; Tenor [Arias]: James Lamond; Baritone: Donald Brown; Baritone: Eric Tredwell |
Beaver / Vox / RCA Victor |
1953 |
3-LP / TT: 154:02 |
|
11 |
J.S. Bach: Matthäus-Passion |
|
Matthäus-Passion BWV 244 |
Joseph Balzer |
Berlin Cathedral Choir / Berlin Symphony Orchestra |
Soprano: Inge Campenhausen; Alto: Maria Haentschel; Tenor: Gerhard Viguhr; Bass: Nicolaus Herfeld |
Royale |
1953 |
4-LP / TT: |
Pseudonymous; really the Fritz Lehmann commercial recording [V-9] |
12 |
Bach: Matthäus-Passion |
|
Matthäus-Passion BWV 244 - Abridged version [omits 19, 23, 29, 38, 40, 41, 48-51, 55, 61, 64, 70, 75; abridges 32, 34, 39, 52, 63, 67, 73, 76]. |
Wilhelm Furtwängler |
Wiener Singakademie & Wiener Sängerknaben (Chorus Master: Hans Gillesberger) / Wiener Philharmoniker |
Tenor [Evangelist]: Anton Dermota; Baritone [Jesus]: Dietrich Fischer-Dieskau; Soprano [Arias, Maids, Pilati
Weib]: Elisabeth Grümmer; Contralto: Marga Höffgen; Bass [Arias, Judas,
Petrus, High Priest, Pilatus]: Otto Edelmann |
EMI Classics |
Apr 14-17, 1954 |
2-CD / TT: 90:40 |
Recorded at Großer Konzerthaussaal, Vienna, Austria.
3rd recording of Matthäus-Passion BWV 244 By W. Fürtwangler.
In the original performances 14 numbers from the score were omitted, and some of the recitative was slightly trimmed. When editing and remastering the tapes for the CD transfer, a further 2 items had to be cut because of the insurmountable technical problems in the original recording.
See: Matthäus-Passion BWV 244 - conducted by Wilhelm Furtwängler
Buy this album at: Amazon.com |
13 |
J.S. Bach: Saint Matthew Passion [V-3] |
|
Matthäus-Passion BWV 244 |
Ferdinand
Grossmann |
Wiener Akademie
Kammerchor / Wiener
Kammerorchester |
Tenor [Evangelist]: Erich
Majkut; Bass [Jesus]: Harold
Buchsbaum; Soprano: Laurence
Dutoit; Contralto: Maria
Nussbaumer; Tenor: Kurt Equiluz
(?); Tenor [Arias]: Rudolf
Kreuzberger; Bass [Arias]: Otto
Wiener |
Stuttgart Europäischer Phonoklub (1960)
Vox STPL-513.320
Vox PL-8283 (1954)
Vox SVBX-5200 (1959)
Sine Qua Non SQN-149 (1975) |
1954 or earlier (not 1959) |
3-LP / TT: 176:30
3-CD / TT: 177:02 |
Recorded in Vienna, Austria.
This recorded version has several cuts in various “arias” as listed
below:
- No.10 (6). Buß' und Reu. Aria for Alto.
"Da capo" (repeat of Buss und Reu) deleted: bars 106 to 161,
using the bars 57 (162) to 68 (173) (Orchestra) to finish.
- No.19 (13). Ich will dir mein Herze schenken. Aria for Soprano.
Suppresses the orchestral introduction to the "da capo" [bars 1
(49) to 6 (54)], leaving attached Mehr als Welt und Himmel sein
with the "da capo" (Ich will dir mein Herze schenken).
- No.29 (20). Will ich mich bequemen Gerne. Aria for Bass.
Delete the second part of the aria (Denn sein Mund) and the "da
capo" (Gerne will), that is only interpreted the 72 first bars, being
cut from 73 to the 174.
- No.61 (52). Können Tränen. Aria for Alto.
"Da capo" (repeat Können Tränen) deleted: bars
92 to 141, using bars 51 (142) to 64 (155) (Orchestra) to finish.
- No.75 (65). Mache dich. Aria for Bass.
Delete the second part of the aria (Denn er nunmehr soll) and the
"da capo" (Mache dich), that is only interpreted the 38 first
compasses, leaving cut own 38 to 84.
Summary:
Small court: orchestral transition to the "da capo". Aria for
Soprano No.19 (13).
Suppression of the "da capo". Arias for Alto: No.10 (6) and
No.61 (52).
Suppression of the central section and the "da capo". Arias for
Bass: No.29 (20) and No.75 (65).
Contrbuted by Antonio Fuentes, Úbeda (Jaén). España
(March 27, 2013) |
|
14 |
J.S. Bach: Matthäus Passion [V-1]
J.S. Bach: Matthäus-Passion BWV 244 [V-1] |
|
Matthäus-Passion BWV 244 |
Piet van Egmond |
Amsterdam Oratorium Koor; Knapenkoor van de Vredescholen / Rotterdamsch Kamerorkest (Rotterdam Chamber Orchestra) |
Tenor [Evangelist]: Willy van Hese; Bass [Jesus]: Carel Willink; Soprano: Corry Bijster; Contralto: Annie Delorie; Tenor: Willy van Hese; Bass: Carel Willink
Soloists: Johan Feltkamp, Koos Verheul (Flutes); Koen van Slogteren, Leo van der Lek (Oboe, Oboe
d’amore, Oboe da caccia); Willy Busch (Violin); Piet Lenz (Viola da gamba)
Continuo: H. Sekrève (Cello); Hans Philips (Harpsichord); Alex Schellevis (Organ) |
Musical Masterpieces Society MMS-2237
Concert Hall Society CHS-1255
Luna LU-1028 |
Aug 1955 |
3-LP / TT: 191:56
3-LP / TT: 191:56
3-CD / TT: 191:48 |
Recorded at Oude Kerk, Amsterdam, the Netherlands.
1st recording of Matthäus-Passion BWV 244 by P.v. Egmond.
Buy this album at:
3-CD: Opera Club |
|
20 |
Bach: St. Matthew Passion |
|
Matthäus-Passion BWV 244 - Omits 9, 10, 18, 19, 38 - 41, 49-52, 60, 61, 65, 66, and 68 |
Ralph Vaughan Williams |
Leith Hill Music Festival Chorus & Orchestra |
Tenor [Evangelist]: Eric Greene; Bass [Jesus]: Gordon Clinton; Soprano: Pauline Brockless; Contralto: Nancy Evans; Tenor: Wilfred Brown; Bass-Baritone: John Carol Case
Continuo = Eric Gritton, piano and Dr. William Cole, organ (electric). |
Caviar CH-104
Pearl 0079 |
Mar 5, 1958 |
4-LP / TT:
2-CD / TT: 150:38 |
Recorded at Dorking Halls, Leith Hill, England.
Buy this alat:
2-CD: Amazon.com | Amazon.co.uk | Amazon.de |
21 |
J.S. Bach: The Passion according to St. Matthew [V-2] |
|
Matthäus-Passion BWV 244, sung in English [46:04, 50:56, 25:13, 40:56, 54:50] |
Frederik Prausnitz |
Juilliard Chorus & Orchestra
Abraham Kaplan (Choral assistant); Warren Wilson (Choral accompanist)
Chorus of the Juilliard Preparatory Division; Herald Tribune Fresh Air Fund Chorus (Leslie Bennett, conductor) |
Vocal Soloists: Tenor [Evangelist]: Clifton Steere; Bass [Jesus]: Raymond Wolin; Soprano: Lynn Rasmussen; Alto: Shirley Verrett (as: Shirley Carter); Bass [Judas, Peter, Pilate, High Priest]: John Parella; Alto [1st Witness]: Tatiana Troyanos; Tenor [2nd Witness]: Arthur Williams; Bass [1st Priest]: Wendell Howard; Bass [2nd Priest]: Jerald Lepinski; Soprano [1st Maid]: Estelle Jiavis; Soprano [2nd Maid]: Perryne Anker; Soprano [Pilate's Wife]: Anne-Marie Cope
Instrumental Soloists: Kenneth Kroth (Organ); David Moore (Continuo); Harold Jones (Flute); Andrejs Jansons (Oboe); Mary Freeman (Violin) |
Julliard JMedia |
Mar 26, 1958 |
Audio / TT: 222:08 |
Recorded live at the Juilliard Concert Hall, Juilliard School of Music, New York City, New York, USA.
Event Producer: Juilliard School of Music.
Provenance: MP3 files encoded at 192 kbps / 44.1kHz from transfer of audio reels provided by Juilliard Recording Department.
Rights: Educational use only, no other permission given.
Source: Juilliard: JMedia
Listen on JMedia:
Matthäus-Passion BWV 244: Complete Work [46:04+50:56+25:13+40:56+54:50]
Listen on YouTube:
Matthäus-Passion BWV 244: Complete Work [22:08] |
24 |
J.S. Bach: Matthäus-Passion [V-7]
Bach: St Matthew Passion [V-7] |
|
Matthäus-Passion BWV 244 |
Karl Richter |
Münchener Bach-Chor & Münchener Chorknaben (Chorus Master: Fritz Rothschuh) / Münchener Bach-Orchester |
Tenor [Evangelist, Arias]: Ernst Haefliger; Bass [Jesus]: Kieth Engen; Soprano [Arias]: Irmgard Seefried; Soprano [1st Maid, Pilatus Wife]: Antonia Fahberg; Contralto [Arias, 2nd Maid]: Hertha Töpper; Bass [Arias]: Dietrich Fischer-Dieskau; Bass [Judas, Petrus, Pilatus, High Priest]: Max Proebstl
Walter Theurer, Wolfgang Haag (Flute l/ll); Edgar Shann (Oboe); Edgar Shann, Kurt Hausmann (Oboe d'Amore l/ll); Otto Büchner (Violin); Oswald Uhl (Viola da Gamba)
Continuo: Oswald Uhl (Violoncello); Karl Kolbinger (Bassoon); Franz Ortner (Double-bass); Ekkehard Tietze, Hedwig Bilgram (Organ) |
Archiv Produktion SAPM.198009-12
Pristine Audio PACO-126 |
Jun 23-Jul 6, Aug 11-12 & 21, 1958 |
3-CD / TT: 197:47
3-CD / TT: 198:41 |
Recorded at Herkules-Saal, Munich, Bavaria, Germany.
2nd recording of Matthäus-Passion BWV 244 by K. Richter.
Priostine: Producer and XR Remastering: Andrew Rose.
See: Matthäus-Passion BWV 244 - conducted by Karl Richter
Buy this album at:
3-CD (2001): Amazon.com
3-CD (2016): Pristine Classical |
|
25 |
Diriģē Jānis Dūmiņš / Janis Dumins Conducting [V-1] |
|
Side A [24:43]:
Matthäus-Passion BWV 244: Nos. 1, 3, 15, 43, 67, 78 only (from a complete recording):
1. Chorus Kommt, ihr Töchter (Mvt. 1[1]) [9:55]
2. Chorale Herzliebster Jesu was hast du verbrochen (Mvt. 3[3]), Recitative for Tenor Da versammleten sich die Hohenpriester (Mvt. 4a[4]) & Chorus Ja nicht auf das Fest (Mvt. 4b[5]) [2:01]
3. Recitative for Tenor & Bass Gehet hin in die Stadt zu einem (Mvt. 9c[15]), Recitative for Tenor Und sie wurden sehr betrübt (Mvt. 9d) + Chorus Herr, bin ich's? (Mvt. 9e[16]) [1:45]
4. Recitative for Tenor Da speieten sie aus in sein Angesicht (Mvt. 36c) + Chorus Weissage uns, Christe, wer ist's, der dich schlug? (Mvt. 36d[43]), Chorale Wer hat dich so geschlagen (Mvt. 37[44]) [1:55]
5. Recitative for Tenor Und da sie an die Stätte kamen mit Namen Golgatha (Mvt. 58a) + Chorus Der du den Tempel Gottes zerbrichst (Mvt. 58b) + Recitative for Tenor Desgleichen auch die Hohenpriester spotteten sein samt (Mvt. 58c) + Chorus Andern hat er geholfen (Mvt. 58d[67]) [2:07]
6. Final Chorus Wir setzen uns mit Tränen nieder (Mvt. 68[78]) [7:00] |
Jānis Dūmiņš |
Latvian SSR State Academic Choir / Moscow State Philharmonic Orchestra |
Tenor [Evangelist]: Mikhail Dovenman; Bass [Jesus]: Aleksandrs Dashkovs |
Melodiya M1-42551-43974 |
Jul 1, 1958 |
LP / TT: |
Recorded live at the Moscow State Conservatory Great Hall, Moscow, Russia.
Executive Record Producer: A. Griva; Audio Producer: J. Kulbergs.
Listen on SoundCloud:
Matthäus-Passion BWV 244: Mvts. 1, 3, 4a-b, 9c-e, 36c-d + 37, 58a-d, 68 |
< Part 1: Complete Recordings 1900-1949 |
Part 3: Complete Recordings 1960-1969 > |
The list of recordings was compiled by Aryeh Oron (December 2000 - April 2021)
Thanks to contributors: Yoël L. Arbeitman (May-June 2012); René de Cocq (October 2001); Willem van Erk (May 2006, June 2006, July 2006, September 2006, October 2006, December 2006); Andris Feldmanis (April 2021); Jos Hoogenbosch, Kacper (September 2019); Manfred Krugmann (May 2012); Gérard Mohr (February 2017); Dr. Gérard Mohr (April 2015); Riccardo Nughes (September 2001, February 2005); Philip Peters; Antonio Fuentes Miranda (March 2013); Anton Schönauer (November 2002); John Simkiss (December 2008); Eric Spicer; Teri Noel Towe (November 2001, December 2001, May 2007); Roland Wörner (July 2002); G. Paolo Zeccara, Vigevano, ITALY (October-November 2008) |
|